How to Express Romance in French
If you'd like to know how to express your romantic feelings in French, read some literature. You can learn about the complexities of love through literature like Andre Breton's Nadja, or Alain-Fournier's The Great Meaulnes (The Wanderer). French love poetry is a delight, a mix of assonance and rhyming words that express feelings very passionately.
La vie est belle
La vie est belle in French means "life is beautiful." The word "belle" in French is feminine. The English word "beautiful" is also feminine in French. The word "courte" is a rare French word that means petite or lovely. This word is also used to describe a young girl.
The phrase "la vie est belle" describes the pleasures of life and it was first used in a French film, "La Vie est Belle," in 1956. The film made the phrase popular throughout Europe and the Mediterranean region. It also spread to the United States in the 1970s. The phrase has been used to describe vacations and the good things that life has to offer.
The name La vie est belle in French means "life is beautiful." This is a common saying for women, and the fragrance features iris spring flowers, patchouli, iris, and sweet vanilla. These ingredients combine to make a modern and complex perfume. The perfume's fragrance is made for modern women who are looking for a feminine fragrance.
L'amour courtois is a concept of love that originated in the Moyen Age. It was a form of courtship characterized by honesty, respect, and joy. The earliest examples of the concept can be found in the poetry of the Midi troubadours.
The word courtois means "courtly" in French, but it also means "refined." It can also mean "valued," which makes it more contemporary. In either case, the concept of love is rooted in emotion and has little to do with rational thought. This is not to say that love is entirely without value, but rather that it is not based on logic or reason.
L'amour courtois is an emotional bond that a romantic partner shares, but it is not necessarily one that can be shared with another person. The amour courtois consists of a desire for the other person and must be very difficult to satisfy. It is also not a platonic love, and is a form of sexual desire.
Throughout the Middle Ages, the amour courtois code of behavior for lovers and ladies was based on the notion of courtly love. The genre also helped raise the status of women and established motifs that would become recognizable in the romantic genre today. Courtly love poetry generally featured an inaccessible lady who was the object of a noble knight's devotion, service, and self-sacrifice.
After the xiiieth century, the courtois esprit starts to decline. In the literature of that time, the tradition is explored in novelistic works. In prose, it is exploited in the Bretagne novels, and Gautier d'Arras employs greco-byzantin themes in his novel Eracles.
Il s'epanouit (it blooms) into l'amour
In the poem Il s'epanouit (Blooms Into L'amour), a young woman who is elated by a lover's tenderness is consoled by an old woman. This old woman is a symbol of the ideal of escape, and she is a true source of inspiration for the poet. She has the ability to transform the most inconvenient situation into the most enchanting moment.
The final ten lines of the poem are a triumph of love and beauty. They are filled with exquisite imagery and a transcendent passion. They are incomparable, and their appeal is limitless. The poem is a masterpiece of the art of lyric poetry.
Often a lover's love is redeemed through love. The poem's elegiac epilogue echoes the cadences of a church antiphon. In addition to its lyricism, the poem also contains some of the finest lines in Hugo's work.
The poem's lyricism would have been enough for another poet. It was a subset of the poet's lyric output, which had been an ever-growing expression of his spirit. The lyric work was a minor part of the poet's life, but his lyric oeuvre was more than enough to make him an admired poet.
Il fleurit (it blossoms) into l'amour courtois
The question of whether l'amour courtois is desirable has long been debated in medieval European literature. In some cases, the question has led to heated deliberations, and reputations have been ruined in verbal battles. This debate is particularly salient when considering the fact that most medieval scholars are men. Most of the leading men have been found to be promoting abject love for women, or glorifying their own love servitude for women.
In medieval France, a man's love for a woman could be considered a "beguine" (single) love. This woman did not ask for anything in return, aiming only for love. Beatrice of Nazareth said, "It is love, and it will bloom without asking for anything." Angelus Silesius also said, "it is a single love. Then, the woman would be satisfied."
Courtly love was a way for nobles to show their love for their beloved, without the restrictions of marriage. This type of love centered on emotional love, and courtly lovers had short trysts in secret. Over time, the relationship escalated physically and mentally. References to beds suggest that actual sexual intercourse occurred.
Il s'epanouit (it blooms) into l'amour courtois
The concept of amour is central to the western conception of love. However, this romantic concept is not universal or inherent in human nature. In fact, it may have only emerged relatively recently, in the Occident and Europe, in the XIIe century.
This cycle, written by Franz Schubert, was performed 100 times by Schubert. But the joy that these performances brought to audiences, pianists, and venues cannot be reproduced by a new pianist or venue. A new cycle and a new audience cannot recreate the joy that the first performance had. In recognition of this, Schubert composed a documentary about his romantic cycle, which was filmed by Channel 4 in Great Britain.
In this opera, a woman, Blanche, alias Henriette de Mortsauf, is the heroine. She is the daughter of the Seigneur and associated with Lys of the Vallee, while her sister, Mariee de Mortsauf, is a member of the family. Both sisters are reluctant to give up their position to Felix de Vandenesse, a young man. Nevertheless, she cannot let go of the love she has for him. This love triangle leads to a harrowing ending for both characters.
During the 11th century, courtly love was common in southern French regions. In a world dominated by the male sex, the idea of a woman as a dominant figure was revolutionary. It reversed the traditional hierarchy of men, who would be subordinated and subservient to the woman. Keats wrote a poem entitled La belle Dame sans merci, which translates to 'La belle dame without mercy.
Moreover, the word 'perversion' was invented by Freud. The first time someone used the term, he argued that children were "polymorphous pervers" who lacked any moral connotations. Hence, the term is also used in a non-moral context: when a person lacks desire, he or she lacks power in love.