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Richard Thompson Museums & Collections
The Richard Thompson Museums & Collections are dedicated to celebrating the work of the renowned American artist. In addition to highlighting the importance of collecting Thompson's works, the website also highlights the history of His exhibitions and the collection of His work in both public and private collections. This article also explores the relationship between Thompson and Bill Watterson. It aims to be an informative and entertaining resource for art collectors and the public.
Richard Thompson's work
The art of Richard Thompson is collected worldwide, including at the Smithsonian Institution in Washington, D.C., the Palm Desert Museum in California, the Portland Art Museum in Oregon, and the Modern Art Museum in Fort Worth, TX. There are numerous museum one-person shows of Thompson's paintings and drawings, and his work is part of several permanent collections across the United States. For more information, please visit Richard Thompson's website.
The Richard Thompson Library will exhibit his work in March at the Billy Ireland Cartoon Library & Museum in Columbus, Ohio. This exhibition will showcase some of the illustrator's most famous works. A new art book celebrating Thompson's career is expected to be released by Andrews McMeel in 2014.
The Washington Post is among the largest collections of Richard Thompson's cartoons. The collection includes original pieces as well as prints, posters, and posters. The originals are a part of the museum's permanent collection. Throughout his career, Thompson has produced many cartoons for various museums and collections. His first regular humor series, Why Things Are, ran from 1990 to 1996. This series was highly popular with both collectors and art enthusiasts.
His exhibition history
This House is Mine, the first major museum exhibition of Thompson's work in 20 years, examines the artist's formal inventiveness and engagement with universal themes. During a period when the Western canon was largely exclusionary, Thompson cultivated a vocabulary of enigmatic forms. Thompson's haunted, silhouetted human and animal figures subvert familiar European compositions. These works are exemplary examples of the artist's enigmatic style.
Born and raised in Dayton, OR, Richard Thompson discovered his love for art as a forestry student at Oregon State University. He later continued his studio career while serving as Dean of the School of Art and Design at Alfred University in New York. In 2011, Thompson returned to his family's farm in Dayton, Oregon, where he set up a studio and used a silo to store his paintings. During this period, his work was included in several major exhibitions in the United States and in Oregon.
As an art historian, Richard Thompson's exhibition history is an invaluable resource for educating the public. He has extensive teaching experience in art and was previously Dean of Alfred University in New York and Professor of Art at the University of Texas at Austin. As a result, his research has received international recognition. Currently, he serves as a trustee at the National Museum of Scotland. In addition to his exhibition history, Thompson also lectures internationally on contemporary art.
This House Is Mine is an important traveling exhibition organized by the Colby College Museum of Art, whose curators are Jennifer Carty, Associate Curator of Modern and Contemporary Art, and Orianna Cacchione, Curator of Global Contemporary Art. This exhibition will make stops in Atlanta and Los Angeles. It is sponsored by the Terra Foundation for American Art. The exhibition will continue to travel throughout the United States.
His work in public and private collections
His work is found in a variety of public and private collections. Several corporate collections also have several of his pieces. Some notable places to see his work include the Museum of Fine Arts, Houston, Amarillo Art Center, and the Modern Art Museum of Fort Worth. Other notable collections include the Standard Oil Corporation in Chicago and Apple Computer in Austin. His work has also been featured in several publications. He has had several solo exhibitions in Fort Worth.
In 1985, Thompson signed with PolyGram and received a substantial advance. He and Covey married in an alcohol-free ceremony. After the marriage, Thompson and his wife moved back to California. As part of the settlement with PolyGram, Thompson released a studio album titled Small Town Romance. The album was comprised of recordings from Thompson's solo performances in the United States in late 1981 and early 1982.
The artist spent his early life in Oregon. He lived on a 150-acre farm in Dayton and then attended the University of Oregon. After earning his BFA and MFA, he devoted the next fourteen years to a studio career. Thompson served as the Dean of the School of Art and Design at Alfred University in New York for nearly a decade. In 2011, he returned to his family farm and began painting again. His latest addition to public and private collections is the painting Home Pool, which was recently included in the permanent collection of the Salem Convention Center.
In addition to his studio albums, he has also released several retrospective collections of his work. A large percentage of these retrospective collections contain unreleased material. In addition to 'Atlas', Thompson's 1975 album (1973), "Affair at the Park," and a variety of unreleased live tracks are available. RT The Life and Music of Richard Thompson's Retrospectives
The show This House Is Mine, a major museum retrospective celebrating Thompson's career, brings together more than 50 private and public collections, focusing on his formal inventiveness and his engagement with universal themes. In the course of his career, Thompson grappled with the exclusionary Western canon and developed a lexicon of enigmatic forms. His human and animal figures, often haunted and silhouetted, are recasting classic European compositions.
His relationship with Bill Watterson
A new exhibition at Richard Thompson Museums & Collections explores the impact of Calvin and Hobbes and its creator, Bill Watterson. Although the exhibition doesn't feature Watterson himself, it explores how the comic books have had a profound impact on the culture. The exhibition also features some of Watterson's artwork, including the famous Cul de Sac artwork. It's also a fitting time to remember the comic strip's origins.
The exhibit includes a selection of artwork illustrating the life and times of both Watterson and Thompson. His relationship with Watterson is especially poignant because of the latter's recent death. Watterson has been a fan of Thompson's for decades and, in 2013, he announced the end of his syndicated strip "Cul de Sac." The two also teamed up for a dual exhibit at Columbus' Billy Ireland Cartoon Library & Museum, which focuses on Watterson's connection to the late artist.
Despite the deteriorating financial situation of the comic industry, Watterson remained a staunch supporter of the famed creator. He was a regular reader of Thompson's blog and was introduced to the comic by his friend Rich West. This relationship resulted in Watterson agreeing to be interviewed for the first time in more than three decades for a documentary called "STRIPPED." In the documentary, Watterson discussed the changing industry environment and limitations placed on cartoonists.
While retired, Watterson remained active in the comics community. His involvement with the Cartoon Research Library, now the Billy Ireland Cartoon Library and Museum, spanned over a decade. He teamed up with Rich West, an expert on political cartoons, and Lucy Caswell, the curator of the museum. Then, in 2005, he deposited over 3,000 strips of Calvin and Hobbes from its ten-year run into the Cartoon Research Library.
In addition to his own artwork, the exhibition also includes many of his friends and collaborators. Mike Rhode, a longtime friend of Thompson, co-editor of "The Art of Richard Thompson," worked regularly as an illustrator for the Washington Post during the early 1980s. During this time, he became a mentor to Bill Watterson, who would later go on to become a prolific writer.