The Collection of John Walsh Museums & Collections
In 1992, Mr. Walsh began purchasing studio art quilts after viewing a television program featuring noted quilt artist Michael James. His collection grew from that point and now includes four or five works a year. The majority of the quilts are on the theme of water and the Walsh family has commissioned some of these works. The Walsh family's collection is comprised of 24 quilts, including some specially commissioned by the family.
Jack Walsh's passion for contemporary art quilts
The dazzling collection of art quilts in Jack Walsh's New Jersey home is a testament to his artistic vision and passion for the medium. The exhibit features more than 100 works gathered by the chemical engineer and chief executive of Waltron LLC, a company that designs and manufactures water analysis instruments. Although his home has expansive windows and wide doorways, he's limited to hanging only five artworks at any given time. For the exhibition, he rotates the collection every year, allowing visitors to experience the collection.
One of the finest collections of art quilts in the world can be found in the collection of the renowned private collector, John M. Walsh III. On view from September 22 through December 8, 2013, the collection features art quilts that have a common theme of water. Walsh himself owns a water purification company, and his family has a property with a waterfall. He has enjoyed the beauty of this waterfall for as long as he can remember.
His career as a curator
At the Getty, curator John Walsh is well known for his knowledge of 17th century Dutch paintings and other masterpieces. But there is a human side to Walsh. The soft-spoken Easterner, who has a background in art history, enjoys the challenge of interpreting the mysteries of Old Master paintings. While he doesn't always get his way, he has the knack for bringing the big picture to life and has garnered many accolades for his efforts.
Having previously worked as a professor at Barnard College and Columbia, Walsh returned to his roots as a museum director. When Held stepped down, Walsh was offered a post at the Museum of Fine Arts, Boston. He accepted the job and built departments of painting and conservation. He also consulted for the Getty Trust. In addition to his work at the Getty, Walsh had a long and successful career as a curator.
As director of the Getty Museum, Walsh led the organization's move from the Pacific Palisades, CA, to Brentwood, Los Angeles. In the years following, he launched a massive campaign to acquire artwork, establishing the museum's reputation as a buyer of high-quality works. Walsh also reorganized the organization and introduced a department of drawings. His work at the Getty led to a controversy with the publisher of Connoisseur magazine.
The John Walsh Fellowship in Museum Education is a full-time, one-year fellowship with the option of renewal. The program is intended for an emerging professional with an advanced degree who is interested in a career in museum education. The fellow reports to the Jan and Frederick Mayer Curator of Public Education. The fellowship holder will gain hands-on experience and a broad portfolio of knowledge through an integrated role in the Museum's education programs.
A graduate of the Getty's program, True was an art historian who also served as the museum's assistant curator for pre-Colonial American art. As a result, she was often criticized for her work by colleagues. True's biography will give her the opportunity to defend herself. The book's publisher, Vartan Gregorian, is a friend of True's. He is also president of Carnegie Corp. in New York. He believes that the book would be a "real chance" for True to defend herself.
His collection of 54 quilts
The collection of 54 quilts by retired CEO of Waltron LLC, John Walsh's passion for the art form began in 1992 when he became intrigued by a television program featuring noted quilt artist Michael James. He started buying studio art quilts, adding four or five new works each year, and the number has now reached 54. Many of these quilts feature water, and some were even specially commissioned. Nevertheless, Walsh maintains that his collection is not for sale.
The collection includes quilts by well-known and lesser-known artists, including Joan Lintault, Therese May, and Joan Myers-Newbury. Other notable artists represented in the collection include Terese Agnew, Pam Studstill, and John Lefelhocz. In addition to the work of these artists, the Walsh collection includes pieces by John Lefelhocz, Julie John Upshaw, and Kyung-Ae Cho.
The collection is one of the most impressive exhibitions of contemporary art quilts ever held at the Texas Quilt Museum. The exhibit will run from October 2 to December 21. The curator, Sandra Sider, has kindly permitted photography in the exhibition. Terrie Hancock Mangat is authorized to pose with an example of a quilt she created in the American Heritage Flea Market. The exhibition is free. So, if you have the opportunity, make it a point to visit it!
The art quilt collection also includes works by artists who are not traditionally associated with quiltmaking. Michael James, for instance, uses digital images printed on fabric for his sculptures. Meanwhile, Kyoung-Ae Cho makes wall pieces and free-standing sculptures. Another sculptor, Terese Agnew, uses found objects in his artwork. And, last but not least, Anne Kingsbury, who is a potter, has created quilts of leather, which are embellished with ceramic animal figures.
Jack Walsh has been very active in the past few months. He recently acquired two quilts for the 2005 Quilt National exhibition. One of them, NEO Buddha by Susan Shie, is a whole cloth work with airpen writing and crazy machine quilting. The two had been admiring Shie's work for many years and are now commissioning her to create more works on water themes. If you want to know more about the artist, you can visit his website.
His connection to Simon de Vlieger
The training of Dutch master artist Simon de Vlieger was obscure. His formal education is undocumented, but he may have been trained by Willem van de Velde the Elder. He is believed to have worked in Rotterdam in the late 1620s, and became a member of the guild of Saint Luke there in 1634. From 1634 until his death in 1653, he lived in Weesp, where he painted landscapes, animals, and figures. He is also said to have influenced his fellow artists Jan van de Cappelle and Willem van de Velde the Younger.
In his paintings, Simon de Vlieger was known for his atmospheric perspective. He often used a thin brush with diluted paint to render a ship or an ensign. He was also a master of landscapes, which explains the use of diagonal compositions in his works. The connection between these two masters is intriguing. It's possible that one was the subject of the other, or both.
He bridged two generations of Dutch painters, Jan Porcellis and Willem van de Velde the Younger. It has been suggested that de Vlieger and Porcellis had a master-pupil relationship. Similarly, his connections with Jan Peeters and Bonaventura suggest a similar relationship. They also share a similar vision of a seascape. His paintings depict the view from the beach toward the sea. Despite his obvious solitaryness, de Vlieger's painting is rich in atmospheric effect. A towering cloudy sky, melting beauty, and a convincing sense of deep space are all hallmarks of his work.
His earliest known works date from 1624. De Vlieger was heavily influenced by the Dutch maritime artists Jan Porcellis and Willem van de Velde the Elder. By the 1630s, De Vlieger had established himself as one of the foremost Dutch maritime painters. He moved away from Jan Porcellis' monochrome style and painted ships in harbours and the seas, storms, and shipwrecks.