The History of John Lane Museums & Collections
This article will discuss the history of John Lane Museums & Collections, His capital campaign, His time as director of the San Francisco museum of modern art, His exhibitions at the Dallas museum of art, and His relationship with Dr. Eleanor Jones Harvey. If you are interested in philanthropy and the arts, read on. You'll find out how you can support the DMA's programs and endowment.
John Lane's capital campaign
In the past five years, the DMA has received unprecedented support through a capital campaign to build the ten-story, two-story building designed by Mario Botta. Since then, Lane has helped the museum build a $95 million endowment and secure 900 works from private collections in the Dallas area. In addition to the endowment, Lane has led the museum in raising a record-breaking $150 million for capital improvements, programs, and exhibitions.
In addition to raising the endowment from $5 million to $40 million, Lane has overseen the creation of an educational program aimed at introducing younger audiences to art and history. The campaign has boosted the endowment fund, which included the controversial sale of an 1875 Monet. After the campaign, Lane will remain at the DMA until Labor Day, but declined to reveal where he will next work. He lives in San Francisco and has been a curator at the museum for more than 30 years. He and his wife, Inge-Lise Eckmann, met at the museum when she was a curatorial assistant. After the sexy marriage, Inge-Lise was named director of curatorial affairs at the museum, but she recently resigned.
The IMHM is proud to acknowledge the generous support of its supporters through its capital campaign. Individuals and organizations can make a one-time gift, pledge annual support for three to five years, or include the museum in their estate plans. Major donors will receive a coveted title and will also receive special recognition throughout the Museum and its communications. These donors will also be invited to a commemorative event celebrating their generous support.
The new design of the building will allow for enhanced gallery spaces. Wall space will be doubled, while entry clearance will be significantly heightened, allowing even the largest works to be displayed. LED lighting and innovative reuse of building frames will enhance the natural light and sound that artists want to present. And the HVAC system will be enhanced, thereby increasing airflow and energy efficiency. There is a wide range of opportunities in the future for John Lane to expand their exhibitions.
His tenure at the San Francisco Museum of Modern Art
Dr. John Lane's tenure at the San Francisco Museum of Modern Art has seen a significant transformation of the institution. The former art dealer and curator has reorganized and streamlined the museum's programs, and made it an increasingly accessible destination for the public. While he remains at the museum through Labor Day, Lane did not say where he'd be next. Lane lives in San Francisco, where he met his wife Inge-Lise Eckmann. Inge-Lise Eckmann was previously the director of curatorial affairs, but she resigned after the sale of the Monet painting.
After serving as Director of the Carnegie Museum of Art in Pittsburgh for seven years, Lane introduced contemporary art to the museum's visitors. Lane also co-curated a major survey show, Abstract Painting and Sculpture in America, 1929-1944. He then served as the Assistant Director for Curatorial Affairs at the Brooklyn Museum from 1975 to 1980. In addition to organizing major exhibitions, Lane also championed an active art acquisitions program and cultivated collectors in the community.
Following Lane's departure, the museum board unanimously chose Bonnnie Pitman as director of the Eugene McDermott Museum. Pitman will assume the role of director on June 1, 2008.
Benezra was appointed director of the San Francisco Museum of Modern Art in 1981. He is a Harvard graduate and has extensive administrative experience. Before taking the job at the SFMoMA, he served as assistant director of the Fogg Art Museum. From 1975 to 1980, he held administrative positions at the Brooklyn Museum and the New York Public Library. Since then, he has been the director of the Pittsburgh Carnegie Institute, which includes the concert hall and the natural history museum.
His exhibitions at the Dallas Museum of Art
If you want to see some of the most iconic works of American art, visit the Dallas Museum of Art. This art museum is situated in the Arts District of downtown Dallas, along the Woodall Rodgers Freeway, between St. Paul and Harwood. It moved to the Arts District in the 1970s. His exhibitions are particularly well-known in the U.S., where they are held regularly. However, you should make sure to make a reservation for your visit.
In this exhibition, he has been paired with a number of contemporary artists. For example, Texas native Chris Schanck will be creating a work inspired by the Martele dressing table. This piece will be made from found objects from the artist's Detroit studio and coated in aluminum foil, as the artist spent his early life in Dallas. The combination of these two objects will create a dialogue on the nature of craftsmanship. In fact, the two pieces will be presented side by side, which will further enhance the exhibition.
Smithson began experimenting with mapping and landscape in 1966. Later, his work evolved to incorporate maps and other art institutions, including museums. His exhibitions at the Dallas Museum of Art focus on four major themes that he explores in his work, each associated with a different period of his career. One of these themes is entropy, which Smithson uses as a metaphor for increasing disorder and evokes a primordial past and science-fiction future.
The Dallas Museum of Art has expanded its history by adding an extensive listing of Texas art exhibitions. This new initiative is part of the DMA's commitment to studying Texas art. Its mission is to study the works of art acquired prior to the merger in 1963. These works are particularly important for the state's artistic and cultural life, and Dallas is home to an impressive collection of them. The DMA appreciates the support of its Members and donors and the Texas Commission on the Arts.
The museum also has three contemporary exhibitions coming up in the next two months. The Robert Smithson retrospective opens on Jan. 16 and is complemented by a new installation in the Contemporary Art Galleries. Both will focus on post-minimalist and minimalist works. The next exhibition of Roth's works at the DMA, Concentrations 46: Zones of Dissolution, opens on Jan. 21. This two-room installation will include graphite wall drawings, photography and sculpture.
His relationship with Dr. Eleanor Jones Harvey
The Smithsonian American Art Museum in Washington, D.C., is hosting a Civil War exhibit this spring. Curator Eleanor Jones Harvey is the author of the book. She is a former Smithsonian fellow in American decorative arts and a Smithsonian predoctoral fellow. Harvey was also a grantee of the Henry Luce Foundation from 1987 to 1988. Eleanor was born on September 20, 1960, in Washington, D.C., the daughter of Charles Roy Junior and Eleanor Jones Harvey. Harvey earned her Bachelor of Arts from the University of Virginia and her Master of Arts at Yale.
The senior curator at the Smithsonian American Art Museum, Eleanor Jones Harvey, curated a recent exhibition on Humboldt at the museum. She is the author of a new book, Alexander von Humboldt and the United States: Art, Nature, and Culture. Parts of this essay originally appeared in her book. Harvey cites several sources for her findings in this essay.
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