Jacqueline Yallop Museums & Collections
While most collectors' collections are broken up and sold, Jacqueline Yallop's quintet's lust for spoils has helped the public display of these treasures. Although we will never know the exact value of Yallop's treasures, they are now on display for public enjoyment. But if you have never been to the Jacqueline Yallop Museums & Collections, you're missing out.
Magpies, Squirrels and Thieves
Unlike most collectors who hope their collections will last until the end of their lives, Yallop, an Oxford graduate, has no intention of dismantling her collections. In fact, most of them are destroyed after the collector dies, as it is a waste of money and time. Luckily, Yallop and her quintet's insatiable passion for treasures have now been put on display for the public to enjoy.
If you've ever wondered what makes an object collectible, this exhibition is an excellent place to start. This book traces the evolution of collecting, from the royal cabinets to the homes of the trendsetting middle classes. During the Victorian period, women and empire pushed boundaries, challenging what was acceptable and desirable. As a result, a Victorian obsession with 'things' flourished.
One of Yallop's most interesting stories concerns a famous Victorian collector, Charlotte Schreiber. The section on Schreiber ends with a comment about how Schreiber's life and career were so important in the development of the museum's collection. The Victorians sought to regulate and control elements, as well as to extend themselves beyond the realm of the ordinary. Yallop tells the story of five different collectors against the backdrop of the Great Exhibition of 1851. The Victorian period saw the rise of middle class curiosity and interest in silver and fabrics.
Joseph Duveen's collection
The title of Joseph Duveen's collection in Jaculine Yallop Museums & Collection is intriguing. He was a collector who had been fascinated by the Commune, which was the French equivalent of the American Revolution, and with the Commune's barricades and destruction of Paris. He admired the work of the continental museums, which displayed their objects in rooms of their period. The museum school argued that objects should be arranged in rows of all possible bowls and knives. It was a stance that would be challenged by the work of renowned collectors like Murray Marks, who was interested in the aesthetic movement and a collector of peacocks and blue-and-white china.
While this may sound like a dry and mundane topic, Yallop's book explores the world of collecting as an expression of the Victorian age. Victorian collectors had a compulsive desire to expand, regulate, and control elements. Set against the backdrop of the Great Exhibition of 1851, the book follows five collectors and their collections. The Victorian era was a time of middle class curiosity and interest.
Jacqueline Yallop's writing style
If you've been wondering how an author can write about collections, Jacqueline Yallop has your answer. The author, who lives mostly in France, is the author of three early medieval novels with Impress Books. She has also written non-fiction books, essays, and articles on contemporary art. She also teaches creative writing in France. Jacqueline Yallop's writing style for museums & collections is a mixture of research, passion, and expertise.
Jacqueline Yallop is a writer of three novels, a graduate of Oxford University, and holds a Ph.D. in nineteenth-century literature. She has also worked as a curator at the Ruskin Collection in Sheffield and at the University of Aberystwyth. Her writing style for museums & collections is unique and readable.
The author's interest in collecting is largely due to the Victorian era, when the Victorians possessed an urge to regulate and control elements. Collections were made to be larger and more extravagant. The book follows the lives of five different Victorian collectors, set against the backdrop of the Great Exhibition of 1851. In the Victorian era, the middle classes had an insatiable curiosity about the world, and they sought out objects to own, from silver to textiles.
Sister Bernard is a ninety-year-old nun who fought in World War II. The novel alternates between the convent she was born in and the present. As the novel unfolds, she confronts the consequences of a single act of reckless love. She also explores the nature of guilt and innocence in a compelling manner. This novel will make you think twice about the things we believe to be true.