Five Great Collections of Historical Russian Fiction
Whether you're looking for romance, humor, or duelling in the 1820s, Historical Russian Fiction is a great choice. Pushkin, considered the father of Russian literature, managed to pack all three into his 1820s verse novel, and did a masterful job distilling Petersburg and Russian settings. This classic novel follows a young man named Onegin, who inherits his uncle's country estate. The estate is complete with brocaded walls, tsar portraits, and homemade liqueurs.
The Three 'Sketches'
The Three 'Sketches' of Historical Russian Fiction, edited by William Deresiewicz, reflects the dramatic break that shattered the Soviet Union and created a new paradoxical reality. No longer were there tangible borders between different texts, but there was still a profound divide between the nation and its diaspora of millions of citizens. In the present collection, the authors write in Russian and publish outside the country, some in the West, others in the former national republics.
The most famous era in Russian literature is the 19th century, when Leo Tolstoy and many of his peers wrote works that are now considered classics of world literature. During this period, many of these works were written, and were concentrated in the 1860s and 1870s. These works were often short and contain only a few chapters, but they were nonetheless significant for Russian literature.
In Shamil in Makhachkala, a young Dagestani reporter, Shamil, finds himself engaged to a Muslim girl, Madina, who heads for the hills to marry a murderous zealot. In this novel, apocalyptic events have social consequences for both women and men. In this novel, both protagonists are forced to choose sides in the conflict.
'Kolyma Tales,' a collection of short stories by Varlam Shalamov, is a masterpiece of twentieth-century literature. Set in a Soviet Gulag, the book depicts the horrors of a prison camp and its inhabitants. The stories are based on Shalamov's own experiences during his time in the Gulag. The first of two volumes of Kolyma Tales, this book is the only authorized adaptation of the Russian text.
The stories first appeared in emigre journals in the 1960s and were passed around as samizdat in Russia. This spread of Shalamov's work greatly increased the awareness of his work, but he felt that editors had taken liberties with his text. He died in 1982 and the stories were published in Russia officially during the perestroika. As soon as copies of the book became available, people queued up to purchase them.
This epic masterpiece is an account of the author's years in a Gulag. Based on the author's own experiences, 'Kolyma Tales' is a highly personal memoir of the author's time in the Gulag. This novel reframes the writer's duty to provide a voice to the lost experiences of the intelligentsia. This makes 'Kolyma Tales' Historical Russian Fiction worthwhile to read.
In the Soviet era, "The Andromeda Nebula" served as a moral guide to its readers. While it still has its place as an important historical book, it is sadly becoming less interesting as time goes on. It is difficult to read and requires deliberation, but its complexity lies in its style and philosophical idea, not its language. In addition, its complex characters are a fascinating study in human behavior.
While 'Andromeda Nebula is an intriguing work of historical Russian fiction, it is also filled with a few plot holes. The space travels of the heroes are sure to fascinate fans of science fiction, while history buffs will appreciate its discussion of Soviet family life and relationships between men and women. Ivan Efremov posits that in the near future, human society will be structured for pleasure, and that loss of interest in life is a dangerous mental condition.
The Soviet Union's suppression of intellectual expression resulted in a schism among Russian speculative writers. Several Russian science fiction writers embraced the Communist Party's ideology and banned the publication of works that did not support it. But some writers sought to capitalize on the schism. This led to the development of genre Russian literature. Several great authors of this genre came out of the Soviet Union. These authors include Olga Larionova, Pavel Kozynetz, and Marina Dyachenko. A number of their novels have recently been translated into English.
The Russian writer Nikolai Gogol is regarded as one of the founders of the modern short story. In the 1830s, he was a leading member of the naturalist movement in Russia, focusing on descriptions of the working class and other lower-class individuals. Gogol used these descriptions to explore social problems in contemporary society. Gogol's most famous works include the novel Dead Souls, the short story "The Overcoat," and the dramatic work The Inspector General (1836). In addition to being a founder of the short story genre, Nikolai Gogol's fiction frequently includes complex psychological studies.
A member of the Russian literary "aristocracy," Gogol was considered the first master of the short story. After 1839, he rewrote Alexsander Pushkin's epic The Mysterious Portrait. One of his most celebrated stories, The Overcoat, portrayed the unscrupulous side of Imperial Russia and exposed its corruption. Gogol died in 1854, not long after completing Dead Souls.
Born in 1809, Nikolai Gogol lived his first twenty-four years abroad. He studied art in Rome and became a huge opera fan. In 1838, he supposedly fell in love with Count Joseph Vielhorskiy, the son of a prominent Russian official. However, he was not married at the time and died of tuberculosis. In the meantime, Nikolai Gogol continued to write his satirical novel Dead Souls, which was published in 1841. It became one of the most popular works of the 19th century.
The first major work of Anton Chekhov was published in St. Petersburg in 1897, and over the next two years, his works were increasingly published and received more respect. The first was "Steppe," which was an autobiographical account of a journey to Ukraine by a child. The work was controversial and excoriated by the liberal press, but was praised by Marxists for its realistic portrayal of class.
In the early 1880s, Anton Chekhov's finances began to improve, but his older brothers' spendthrift ways put him in debt. Meanwhile, Chekhov's health was suffering, and he devoted himself to helping others. He worked as a physician and even helped a Jewish settler complete his naturalization papers. The author's social and political standing was impacted by his own illness, but his fame also allowed him to help people.
Chekhov's father, Pavel, was a religious zealot, terrorizing his older brothers. However, his younger brother Alexander was a lot less frightening than Pavel. Anton wrote about this experience in an 1889 letter to his brother Alexander. His father could only find poorly paid work in the city, so Chekhov was left with little choice but to help the family by obtaining free work and drawing comics. The novelist's mother, Yevgeniya, was a talented storyteller.
Olga, Tatiana, Maria and Anastasia
It is possible to create historical characters based on these four women. These women, along with Olga, were the last royal daughters of Russia and were all destined for marriage. However, the war put their plans on hold. They were both desperate to be married and to be able to raise children and live out their lives in the country. Hence, the novelists chose these women as the main characters.
Anastasia, Maria and Tatiana were conceived as daughters of Tsar Nicholas II. While they were still young, they were destined for a fate far worse than death. During the execution of the Tsar, their family was ordered to go to a cellar, where they were not aware that the Tsar was being executed. Luckily, Anastasia and her family were saved. They even brought their beloved dog Jimmy with them.
As the youngest of the three sisters, Tatiana was the most aristocratic of the four. She was nicknamed 'the governess' by her sisters, and she was devoted to her duties. Her mother had reserved nature, but she had a passion for nursing and even trained in medicine during the war. In addition to being an ideal royal marriage candidate, Tatiana was also intensely private.
The historical Russian fiction of Hamid Ismailov is full of character, and Ismailov does an excellent job of bringing the past to life. He draws on traditional mythology and fables to create compelling fictional worlds where people wander through space and time. In his two novels, Ismailov explores the role of wandering exile as mystic. His work is particularly rich in its exploration of the ties between the past and the present, and his writing is an excellent introduction to these themes.
While some readers may consider the novel of historical fiction a swashbuckling adventure, others will find it difficult to identify with the main character. Nevertheless, if you can put yourself in the shoes of a young man who grows up with no sense of national identity and is unsure of his ethnicity, then you will be more likely to identify with the main character. In The Underground, Ismailov creates a world where race is central to the story. While the novel is set in the USSR, it is a good example of an 'affirmative action empire.'
During the Cold War, Hamid Ismailov fled the Soviet Union and took a job with the BBC World Service. His tenure with the BBC ended in December 2014, and he retired from his position in 2019. Throughout his career, Ismailov published dozens of books in multiple languages. He translated Russian and Persian classics into Uzbek, and wrote the Central Asia trilogy. In the short time since his departure from the BBC, Ismailov has become one of the most prolific writers of historical Russian fiction.