Historical Italian Fiction
The ITALIAN is an extraordinary historical idyll about Italy in the decade following the Congress of Vienna of 1815. The novel features good-looking arts and artists, spies, and political intrigue. But despite the seemingly idyllic setting, there is always a danger lurking around the corner. What makes The ITALIAN such a remarkable historical idyll? How does it keep you reading the entire novel?
Piccolo mondo antico
Piccolo Mondo Antico is a novel by the Italian writer Daniele Cortis, published in 1889. It is set in Austria-occupied Lombardy in 1859 and centers around the romantic union of Franco and Luisa. It is a novel of small-town ideals and is an interesting and unique literary experience for the nineteenth century. In addition, the book reveals the political attention to new social strains in nineteenth-century Italy, as well as the conflict between Catholics and laymen.
It is a love story that is laced with political themes, class struggle, ideology, and patriotic conflict. The novel is an important work of Italian historical fiction, and many readers consider it one of the best of all time. Listed below are some of the best works of Italian historical fiction:
Luca Marano's novel Le terre del Sacramento
Luca Marano's novel, Le terre del Sacramento, is a powerful, moving read that takes us back to a time before the rise of fascism and the ensuing famine. It is a tale of rural life set in the anni Venti secolo scorso, where people are repressed and the land is largely uncultivated. This novel will have you on the edge of your seat as you read about the lives of these ordinary people, and ponder on their fates.
In Luca Marano's novel, "Le terre del Sacramento," an erotic novel that is set in the molisane countryside, the narrator is complex and layered. Originally an ecclesiastical property, "Le terre del Sacramento" eventually falls into private hands, and its possessor, Enrico Cannavale, is left with a complex legacy of ecclesiastical property.
Francesco Jovine's novel Sebastiano
While Italy is famous for the quality of its literature, the genre is still fairly unexplored. Although Italy's historical fiction is often based on real events, it is also possible to write historically based fiction. Unlike most other historical fiction, however, historical Italian fiction is primarily written from the perspective of the characters themselves. Francesco Jovine's novel Sebastiano is an excellent example of historical Italian fiction.
The second half of the twentieth century witnessed radical changes in Italian society and the way Italian literature is read. The rise of capitalism brought profound renewal and new vitality to Italian society, and the literary scene experienced a significant decline in the number of dominant writers. In addition, the second post-war period saw the end of political censorship and the emergence of a vibrant economic "boom." However, the literature of this era has a certain uniqueness to it.
The Eighties were relatively peaceful in Italy. Terrorists and defiant revolutionaries had been put down. The publishing industry enjoyed a mini-boom, and there was a renewed interest in historical Italian fiction. Publishers began promoting new authors and promoting established writers. Women writers were also given a voice by becoming more visible in the literary scene. The genre continues to thrive in Italy today.
Federico De Roberto's novel I vicere
In I Vicere de Roberto, a number of characters are involved in a conflict. The story revolves around fifteen different members of a family, and it is told from the point of view of various servants and connected individuals. A complex web of dialogues holds the book together. A number of overlapping points of view also contribute to the book's overall effect, as does the novel's caustic irony.
While De Roberto spent some productive years away from Sicily, he was still able to contribute to the world of literature. He began his professional life as a journalist and later became friends with Giovanni Verga. In Milan, he became part of a lively literary community and translated works by Baudelaire and Tolstoy. In his works, he also reflects on the relationship between gender and art.
A central theme of the novel is the opportunism of the self-serving political class. It is not uncommon for the duke to be corrupted by power, resulting in an unjust situation for the people. The novel's satirical tone is a clear indication of its author's political philosophy. Its autobiographical voice contrasts with the pessimistic tone of earlier works, such as Documenti Umani, published by Treves in 1889, and L'imperio, published by Mondadori in 1929.
In the last half of the twentieth century, the authors of Italian literature began to critically question the nature of the genre and its subject. Their works continue to grapple with the implied deconstruction of the subject matter, while still addressing the overabundance of themes and motifs. The authors of contemporary Italian fiction have developed their own innovative strategies to deal with the loss of tradition and the enduring possibilities of the subject.
Oriani's work is an important part of Italian literary history, from its roots in the Decadent vulgaria to its lionization by Fascists. A native of Faenza, Oriani began his literary career as a verista. His later work is influenced by French journalism and parliamentary oratory, as well as colonial messianism. La disfatta (1896), for example, exemplifies his ideas about the human condition.
Oriani's works are full of interesting historical events and characters. In 1943, he joined the Resistance and was later imprisoned. His book Uomini e no (1945) reveals the life of a Resistance group. It became an instant classic and founded the neorealistic movement. Oriani continued to write in this genre, writing a novel called Le donne di Messina in 1949.
Emilio De Marchi
A master of literary translation, Emilio De Marchi began his career at the age of fourteen and has now appeared in 31 films. His most famous works are The Complete Index of Literary Sources in Film, and Capuana. In addition to fiction, De Marchi also wrote plays and was a professor at the University of Pavia. In this essay, he reveals how De Marchi used Dante to create a unique Italian identity.
In addition to historical fiction, De Marchi also created a popular role in opera, which he famously performed as Cavaradossi in Tosca. During his military service, he first discovered his great voice, and he made his operatic debut in Milan in 1886. From that time, he performed in renowned opera houses throughout Italy and Spain. He became one of the most celebrated figures in Italian opera, and his voice commanded a respectable price.
The second novel in the series is the posthumous Partisan Wedding, a work of historical Italian fiction by the famous writer Renata Vigano. Set in 1943, the story of a partisan wedding takes place in Italy. As the war ends, Vigano's heroine reminisces on the time of her partisan wedding. Her prose is beautiful, but it is also a sobering description of human suffering and sacrifice.
Set during the Second World War, Miranda, a subaltern woman, is underpaid and exploited. She has a difficult life as a rice worker, a mother, and a widow. But when she meets a rich family and is accepted into the household, she finds herself with new confidence and values. Throughout the novel, she confronts the complexities of historical fiction and is inspired to write more stories.
A renowned writer of historical Italian fiction, Luigi Pirandello was born in Palermo, Sicily, in 1880. Although he was a young man, he was inspired by the writings of Italian nineteenth-century poets to become a writer. Upon completing high school, Pirandello started to study the works of Fascist ideologists and read Italian poets. He also fell in love with a cousin, Lina, and discovered her father's extramarital affairs.
His love life was also an important part of his work, and he began writing dialect pieces for actor Angelo Musco. Then, in 1917, Pirandello began his great phase of theatrical writing, with the premiere of Cosi e. This remarkable work combined his philosophical outlook and his love of theater. Other plays followed, including Sei personaggi in cerca d'autore (1921) and Enrico IV (1922). After the premiere of Cosi e, Pirandello wrote nine plays in one year, including As Before, Better Than Before, which became a critically acclaimed play.
While his work was highly regarded for its political correctness, his family life was also difficult. His father had invested heavily in the sulfur mines of Aragona and his mother suffered a severe mental breakdown. Despite the hardships and loss of dowry, Pirandello continued to feel intense attraction towards his wife. In fact, he deceived himself into believing that he could take care of Antonietta in his home, but she never left the asylum. As a result, Pirandello's writings were filled with his wife's dark phantoms.