Best Henry James Museums & Collections in 2022

Henry James Museums & Collections

You'll find a wide range of art works in this exhibit, which explores the relationships between Henry James and American artists. The Terra Foundation Collection includes the painting The Green Hat by Lilla Cabot Perry, a childhood friend of Henry James. Other exhibits showcase a selection of books, manuscripts, and letters by the author. Henry James Museums & Collections travel to various locations across the country, including the Isabella Stewart Gardner Museum in Boston.

Lilla Cabot Perry

Born into a prominent Boston family, Lilla Cabot Perry studied painting at Harvard. In 1874 she married Harvard professor Thomas Sergeant Perry. The couple had three daughters. Perry and her husband traveled widely and her paintings became popular, winning many awards and critical acclaim. She was a pioneering female artist and was one of the first American women to study under Claude Monet.

Lilla Cabot was born on January 13, 1848, in Boston, Massachusetts. Her parents were prominent members of Boston society and her father was a professor of 18th century English literature at Harvard. She married Perry when she was just 26 years old. The two eventually had three daughters, Lilly, Mary, and Lucy. She was also a member of the Guild of Boston Artists.

Since Perry's death, appreciation for her paintings has grown. A 1969 retrospective at the Hirschl and Adler Galleries re-established her place among American Impressionists. A 1982 Boston Athenaeum exhibition also featured a number of her works. The exhibition will be on display at the National Museum of Women in the Arts through January 6, 1991. When visiting the museum, be sure to stop by to see it.

John Singer Sargent

A major American painting collection is devoted to John Singer Sargent, who was a close friend of the novelist Henry James. Born in Philadelphia, his parents were early colonial immigrants from England. His father, Dr. Fitzwilliam, left his shipping firm to work as an optometrist in Philadelphia. The couple had two other children, Emily and Violet, who died young. The family lived in Paris for several years, spending winters in Nice, and summers in Rome and Pau.

Sargent's career began with the 1890s, when he painted Mrs. Carl Meyer and Her Children. Henry James later described Sargent's paintings as a "knock-down insolence of talent." In the 1890s, Sargent began to paint portraits of prominent men and women, including art dealers Asher Wertheimer and Coventry Patmore. Wertheimer became Sargent's most prominent patron and commissioned ten paintings of his family. All but two of these works were donated to the National Gallery.

While he had a limited education, Sargent was already demonstrating an aptitude for drawing and language at a young age. After he enrolled in Paris's Ecole des Beaux-Arts, he spent a year traveling to Florence and Morocco, where he mastered the art of painting from life. His portraits won awards at the Paris Salon in 1878 and were shown in numerous museums throughout Europe.

John La Farge

Born in New York City, John La Farge studied art and law in Jesuit institutions before returning to Europe in 1855. He then began his training as a painter with Thomas Couture. La Farge met William and Henry James in Newport, Rhode Island, and the two became friends. In 1890, he was invited to participate in the National Society of Mural Painters. While in Newport, he produced murals for a number of notable New England buildings, including the Metropolitan Museum.

During the 1870s, La Farge began to paint murals and stained glass, and he was soon commissioned to decorate the Trinity Church in Boston. Eventually, his work was commissioned by the city's cathedrals and churches. He also painted the windows at St. Paul's Chapel in New York, and the brick church in Boston. His work also adorned many secular buildings.

John La Farge's life and career have been highlighted in many publications, including the Boston Globe and Fine Art Connoisseur. He is also revered in the Episcopal Church and shares a December 16 feast day with Ralph Adams Cram and Richard Upjohn. While his interest in art was piqued during his studies at the College of William and Mary, he later pursued a career in law in New York. In 1856, he made his first trip to Paris to study painting under Thomas Couture. This exposure exposed La Farge to a rich artistic and literary social circle. His early landscapes and drawings displayed marked originality in their use of color values.

Hendrik Andersen

The Hendrik Andersen, Henry James, and Olivia Cushing Museums & Collections present works by two of the most well-known Danish artists. Both of them traveled the world, and their correspondences are reflected in the collection. Visitors will discover their travels through an extensive collection of postcards and typewritten diaries, as well as their relationship with Henry James.

Hendrik Andersen met Henry James in 1899, and soon afterward the two began to correspond. Henry James was an American expatriate, but he and Andersen soon developed an intense friendship. The two continued to correspond for fifteen years, and James later became Andersen's first patron, purchasing a bust of the twelve-year-old Conte Alberto Bevilacqua and placing it in his dining room. Their relationship continued for years, and he was able to purchase a painted terracotta bust of a young Alberto.

The exhibition highlights the work of Hendrik Andersen, a Norwegian-American sculptor, painter, and urban planner. Hendrik Christian Andersen was born in Bergen, Norway. He was the son of a wagoner named Andersen. He was the middle child of three siblings. His father immigrated to the United States in 1872, and his parents settled in Rhode Island on the East Coast.

Galerie D'Apollon

The Louvre's Galerie D'Apollon inspired James to write about his experiences as a young man visiting the museum. A biographer of James argues that James was so impressed by the Louvre's galleries that he wrote some of his best novels during visits. He didn't look up when passing through the vestibule, and he could have imagined the fall of Icarus in a hundred other ways.

The Louvre's Galerie d'Apollon is a grand space containing the French Crown Jewels. The building dates back to the 1660s, and its vaulted ceilings and painted decorations were first unveiled here. The gallery also features one of the most stunning collections of hardstone vessels in the world, and a replica of the French Crown Jewels.

The 60-meter-long Apollo Gallery houses 105 extraordinary works of art, including the famous Crown Jewels of France. The Crown Jewels are a generic term for what are known as the "Crown Jewels" of France, though there are other pieces of art on display, such as glyptic pieces. The renovation work of this gallery was sponsored by Cartier.

Miss Jessel

"Miss Jessel" is a classic Victorian novel. The premise is simple: the governess of an English country house is haunted by her daughter's passion for Peter Quint. As the story proceeds, Miss Giddens becomes increasingly disturbed by the governess' behavior, which reflects a missionary-like zeal to protect her children. Eventually, she comes to believe that the children are in league with ghosts and are subtly persecuting her.

The exhibition, "Miss Jessel: A Portrait of a Woman in an English Country House," opened at the Morgan Library in Manhattan on June 9. It runs through Sept. 10 in Manhattan before heading to Boston. It features more than 50 works, from twenty-four public and private collections in Great Britain and Ireland. The Gardner Museum, meanwhile, will focus on James's relationship with the poet and painter John Gardner. It will include several objects from the museum's collection, as well as those of his friends.

The collection is extensive. The library includes mostly first editions of the author's works. Bibliographic descriptions are based on "A Bibliography of Henry James" by Leon Edel and Dan H. Laurence, published in 1961. In addition, the library holds works by Henry James' biographer Rebecca West, who wrote "Jessel" in 1916 and published it by Nisbet & Co.

Peter Quint

Throughout the novel, we see a number of features that are characteristic of the Governess's servant, Peter Quint. He has red hair, pale skin, and good features. His eyebrows are dark and arched. His eyes are small and he has thin lips. His body is clean-shaven. This is a common characteristic of the Governess.

Peter Quint is a strange looking man, but the governess describes him as a deceased valet. Without seeing him, she can accurately describe him, and she is suspicious of his motives. The governess tells the housekeeper about the incident, and the housekeeper, Mrs. Grose, who is good-hearted and talkative, joins her in her quest to protect Flora from the evil Peter Quint.

His ghost appears on the night of the wedding, and the governess believes that she has seen him twice. She learns about him from his governess, Mrs. Grose, who reveals that the dead Quint had "more vices" than she thought. His infamous death came while he was returning home from a public house. He had drunkenly slipped on an icy slope and fell, crushing himself to death.

David Fielder

I am a Director and joint owner of 2toTango Ltd and Tango Books Ltd. Currently most of my time is concentrated on 2toTango. This company publishes high-end pop-up greeting cards which are distributed widely in the UK and internationally. Tango Books was founded over 30 years ago and publishes quality children's novelty books in many languages.

­čôžEmail | ­čôśLinkedIn