The Gustave Doré Museums & Collections in Strasbourg
The Gustave Dor Museums & Collections in Strasbourg house works by the artist from the time of his death in 1885. Following the sale of his studio, pieces entered the museum through purchases and gifts. The museum became the central repository for all of Dore's work. The museum's collection was extended in 1993 when Samuel Frances Clapp donated objects that were not originally part of his collection. Currently, there are over three hundred paintings, sculptures, and drawings from the artist's oeuvre.
Exhibition in Strasbourg
The Gustave Dor Museums & Collections in Strasbourg feature three floors of paintings and drawings by the French artist. His work is a fascinating study of the importance of illustrating great texts and creating timeless paintings. Despite the fact that his works are mostly known as illustrations, he also created paintings and drawings for other works of art. His works are included in one museum collection, which is the result of his generous donations.
The MAMCS building opened in 1998 and is home to over 18,000 pieces of art by the city of Strasbourg. The museum is best known for its Gustave Dore collection, which includes works by French painters such as René Lalique and Vasilly Kandinsky. It also has three to four temporary exhibitions a year, focusing on new generation visual artists. A free guided tour is provided to visitors.
In the 19th century, Dore became famous as an illustrator, and his satirical works and caricatures gained widespread popularity. His early works, such as a collection of prints from the Crimean War, reflect his disdain for autocratic rulers and his anti-government sentiment. The exhibition's focus on his diverse artistic interests includes landscapes, portraits, and scenes of local customs and culture.
The Musee des Beaux-Arts in Strasbourg displays old masters paintings. Founded by Johann and Paul Hannong, this museum is the largest collection of decorative art in the city. Its collections include paintings from the 14th century to the 18th century. Its first floor houses the Museum of Fine Arts, which features a variety of European works by prominent artists. Once you've toured the exhibition, don't forget to make time for a stroll through Strasbourg's historic streets.
Dore's contribution to nineteenth-century creativity
Dore's career was one of the most diverse in the French art scene of the nineteenth century. He was a master of multiple mediums, including painting, printmaking, and caricature. He was also an accomplished draughtsman, with impressive knowledge of lithography. His contributions to nineteenth-century creativity are as varied as the themes he tackled. Listed below are some of his most notable paintings.
Dore's work also included a series of illustrations for the French publication of The Bible, La Grande Bible de Tours. This massive work featured Christian-inspired themes and Dore's incredible attention to detail. Although the work was criticized in its day, it would later become a popular publication. This book was widely circulated and was the first major art work to showcase Dore's skill.
At fifteen, Dore showed his sketches to publishing houses in Paris. Within a year, he was the highest-paid illustrator in France. His per-page rate exceeded that of Honore Daumier. He died at age fifty. His work is considered a masterpiece of nineteenth-century creativity. In the nineteenth century, lithography paved the way for reproduction of his works. There are many works by Dore that are based on his original drawings.
Gustave Dor's contribution to nineteenth century creativity is not always acknowledged. In the nineteenth century, he worked with numerous assistants in his studio, and most of their contributions are not documented. However, his works always contain a signature, which is a common practice in the art world and in the Renaissance period. His works in the National Gallery of Victoria are a testament to his talent. There are many examples of his works, including a copy of his 1867 work "The Rose" at the National Gallery of Victoria.
Dore's work in the Strasbourg collection
The exhibition titled "Dore: An Illustrator" presented the works of a prolific French artist. Dore's work is particularly well represented in the Strasbourg collection. The artist was a prolific writer and illustrator, who published 377 works in all. Many of these works were later installed in the Strasbourg museum. In this way, Dore's work became a permanent part of the city's art collection.
Besides being well-known for his religious illustrations, Dore's work also influenced Hollywood. In fact, American film critic Dan Malan compared the work of Dore's engravings to the characters in Star Wars. "The Bible illustrations were a key influence on DeMille's Star Wars films," says Malan. The museum also features a number of other works by Dore, including engravings of the book Orlando Furioso, by Ariosto.
A number of pieces from Dor's Strasbourg collection demonstrate his mastery of chiaroscuro. In Les Oceanides, the artist depicts the sea current flowing onto Prometheus' rock. While his work as an illustrator and engraver was influential for his work, he also devoted himself to mythology and was one of the most prolific painters of the mid-century. Moreover, his work was a key link between French Romanticism and European Symbolism.
The collection includes illustrations of the Rime of the Ancient Mariner, which Dore illustrated when he was only seventeen years old. The work of Dore includes the illustrations of literary giants such as Ariosto and Rabelais, and nature. In addition to these works, Dore spent time in England, where he opened his own gallery. One of his most famous works, The Rime of the Ancient Mariner, was a commercial success in the United States.
Dore's relationship with social issues
Dore's works reflect his moral imagination of contemporary realities, including poverty in rural Spain and squalor in Victorian London, twice the size of Paris. His work also portrays the catastrophic defeat of France by Germany during the Franco-Prussian War of 1870, when his native Alsace was torn away from France. Throughout his career, his work demonstrates his ability to use overwhelming imagery to make important points.
The works of Dore show the physical and psychological effects of poverty, overwork, and other problems facing the working class. Although the figures in Dore's works are often placed in crowds, they do not form communities or social interactions. Their faces are often unrecognizable, and they show little or no emotion. They exist in an anonymous ensemble. This is a contrast to the sentimental portraits of Jerrold's inventive Cockney.
The artist also reflected on the role of religion in society. While some saw religion as a repressive force, he used art to make the world a better place. His paintings were enormous and he was referred to as a "preacher painter." The artist's powerful works inspired tableaux vivants and passion plays, and even early silent films. Dore's works are highly relevant to the contemporary world.
Dore's work is rich in images and chronologically simultaneous. His work includes a chronology of his life, his key moments of creativity, and space for studying the chronology. The artist also created an important visual commentary by making use of street acrobats. But this time, the artists' relationship with social issues was not strictly reflected in the content of their works. These works remained largely hidden from the public.
Dore's book illustrations
Books illustrated by French artist Gustave Dore are part of the University Libraries' Rare & Special Books collection. Dore's illustrations are featured in classic works such as Edgar Allan Poe's The Raven (1884), Coleridge's Rime of the Ancient Mariner, and Milton's Paradise Lost. The images in these books capture the essence of these timeless works. You can explore this renowned artist's work at UIC's Gustave Dor Museums & Collections.
The exhibition presents a selection of the artist's book illustrations and their context. These works were produced in 1854 and 1855, and the exhibition includes reproductions of these illustrations. The exhibition features small light boxes that project images that move to suggest the turning of a book. A series of posters also promote Dore's exhibition, extending his fame far beyond France. The exhibition is free to view until April 7, 2018.
Known primarily for his work on the lithographic stone, Gustave Dore was an Alsatian who grew up in a wealthy family. He began drawing caricatures at a young age, and his mother quickly convinced him of his talent. Dore's father, an engineer, discouraged the young artist from pursuing a more practical education. However, the boy was influenced by a local caricature shop, Auber and Philipon, which were established publishers of caricatures.
This exhibition reveals the various modes of creativity Dore employed. By exploring all aspects of Dore's life, it shows that he was a multi-faceted artist, rather than a one-dimensional illustrator. The exhibition groups works into thematic sections, preserving a chronology of Dore's life. Ultimately, the exhibition reveals how the themes intertwine throughout his career.