Epic Fantasy - Why is Epic Fantasy So Popular?
What defines a good Epic Fantasy novel? Character motivations, strong sense of place, Black and white ideas of good and evil, and a broad scope of human experience. There are many reasons for the popularity of this genre, but here are three of the most common reasons. Read on for more insights....And don't forget to look up all the books in this genre! It's easy to see why so many readers like it!
The beginning of a novel is a promise made to the reader. The book sets the expectations of the reader, and the epic fantasy novel promises something different. The end of the story should be satisfying, and characters should have more than one reason to act a certain way. Here are some examples of character motivations in epic fantasy novels. Read on to learn more about this important aspect of fantasy writing. Also, keep in mind that character motivations will change throughout the plot, so it's essential to understand the motivations of your characters.
Generally speaking, there are four basic motivations that every character must have. The first motivation is the most basic one. It is the reason a character does something. A secondary motivation is a private moral or idealism. A third motivation is the one that is a desire to improve one's situation. In a story with many heroes, this motivation will be the main one. A character's goal is to improve their situation in order to benefit the world. A secondary motivation can be the desire to protect the world or to save the world from evil.
While some stories have a universal motivation like love, others have a more complex inner motivation. For instance, in "The Lord of the Rings," every member of the Fellowship is motivated by the desire to save the One Ring from the evil Sauron, and this quest is the core of the plot. In these stories, the characters have secrets, desires, and unspoken plans that contribute to the overall conflict of the story. For example, each member of the Fellowship has his or her own reason for volunteering to travel with Frodo to Mordor.
The second way to develop character motivations in Epic Fantasy is to show them. By showing the reader why a character does something, it becomes more believable to the reader. If the character is motivated by fear of death, rejection, or some other underlying issue, the reader is more likely to relate to the character. Moreover, if a character has multiple motives, the motivations will become more conflicting. In short, you must create an believable character.
Strong sense of place
A strong sense of place is critical in Epic Fantasy. Although the reader may never be aware of the exact location, the setting has to be a strong part of the story. In addition, the setting should be able to hold the reader's attention and give them a feeling of connection to the story. This is often easier said than done. Fortunately, there are some simple tips you can use to create a strong sense of place in your story.
First, spend time in the setting of your story. Spend time exploring the location and imagining its sounds, smells, and feel. Make sure to describe the atmosphere and how it affects your characters. Then, take a well-earned break. By the end of the book, your readers will be able to picture the setting. Once you have created a vivid and believable environment, you can now begin creating your plot.
Another important feature of epic fantasy is the setting. This element is particularly important in fantasy because the characters are often influenced by their surroundings. The characters usually deal with dangers and struggles that come with the imaginary world. Nevertheless, the good guys win in the end. And in a lot of cases, that's the case in most Epic Fantasy novels. So, what makes Epic Fantasy so great? There are several factors that contribute to a strong sense of place in Epic Fantasy.
Second, an important aspect of epic fantasy is its heroes. The heroes in epic fantasy stories are often naive and self-pitying, while their antagonists are usually more pathetic. While a protagonist's unalloyed goodness appeals to some readers, one-dimensional villains rob a story of emotional power. The protagonist's self-pity is also an important element of epic fantasy, but it is important not to let the story deviate from its theme.
Black and white ideas of good and evil
In many genres of fiction, the conflict between good and evil is often black and white. While good and evil are both essentially good, the complexities of both can add richness to the story. In epic fantasy, the good guy risks everything for a noble cause. The villain, on the other hand, is more likely to harbor sympathizing traits while serving an obviously evil purpose. While these stories often have a lot of elements in common with the high fantasy subgenre, it is still important to look for the nuances.
For example, European-style epic fantasy takes place in a centralized European culture. Other settings for epic fantasy include Hellenic Greece, an alternate Renaissance, or far-flung future societies. Tolkien's epics, for instance, are set in Europe. The genre also encompasses African fantasy. In addition to Europe, African epic fantasy draws from a wide range of sources and is more diverse than European-style fantasy.
In addition to the conflict of good and evil, fantasy works also feature black and white morality. The underlying ideas of good and evil are generally more complex than those in reality. Epic fantasy characters are often lost in gravitas, which diminishes the verisimilitude of their characters. Real people laugh at ridiculous things, and this is not always possible to capture in a story. It is vital to have characters who can express this type of humor.
In addition, if you want to avoid violence, you should avoid writing about such topics as slavery, terrorism, or genocide. These topics are often difficult to balance in a story, especially if your characters are a race that has evolved from cavemen. As a result, epic fantasy needs to have some gray areas. If it is not, the story will feel unfinished and unrealistic.
Wide scope of human experience
While Tolkien's books set a standard for epic fantasy, they also cast a long shadow over the genre. The authors who came after Tolkien have had to negotiate their legacy in ways that do not exactly fit the standard. Many have departed from Tolkien's model, complicating the moral clarity of conflicts and allowing more speaking roles for women. Here are some examples of how modern epic fantasy authors have responded to this legacy.
One of the distinguishing features of epic fantasy is its vast backdrop. The sweeping scenery of this genre conveys high drama and the reverberation of the human condition. Non-epic fantasy stories, on the other hand, skirt the ledge instead of leaping. For example, Beowulf asks the listener to consider the nature of rulership and blood feuds. Odyssey presents a world of alternative societies. Other epics summarize national identities.