Best Crafts, Home & Lifestyle in Japanese in 2022

Crafts Home & Lifestyle in Japanese

Traditional crafts and decorative products were an essential part of everyday life in Japan for centuries. After World War II, however, lifestyle and westernization changed, and traditional crafts began to change as well. Rapid economic growth ushered in the popularity of convenience appliances, and crafts were no longer treated as everyday items, but rather as gifts or souvenirs for special occasions. However, this trend has recently reversed and the traditional crafts of Japan have been revived.

Mingei International Museum of World Folk Art

The Mingei International Museum of World Folk Arts collects and exhibits arts and crafts of daily use. The founder, Martha Longenecker, was an art professor at San Diego State University when she stumbled upon Japanese pottery making. She became acquainted with the founders of the Mingei Association of Japan and gathered invaluable information. Later, she brought her vision of mingei to the U.S.

The museum is located in the cultural quarter of the Expo '70 Commemorative Park, next to the Japanese Garden and the Rose Garden. Originally, the museum was opened in 1970 as a pavilion at the Japan World Exposition in Osaka. The mission of the museum was to introduce the beauty of Mingei to the rest of the world. Its exhibitions focus on everyday lifestyle and beauty in everyday life.

For centuries, handcrafted goods were taken for granted, or considered unworthy of close attention. However, with the arrival of Western influences, the Mingei movement was born. In 1913, the philosopher Yanagi Soetsu (1860-1926) took notice of the beauty of these native crafts and coined the term mingei. This book, a landmark in Japanese art history, propagated his aesthetic ideals and introduced a new era to Japan.

While the Mingei International Museum of World Folk Arts has a collection of more than 18,000 works of art, the museum is not known for English subtitles or a tour guide. The museum's exhibits are meant to speak for themselves, and many exhibits will speak for themselves. Throughout the museum, you'll find exhibits displaying reverence for nature and religious beliefs. If you're in the mood for a visual feast, the museum's Japanese-style lion statues may appeal to you.

Kawashima Tategu's Enju series of decorative products

The Enju series of decorative products from Kawashima Tategu are crafted with a unique Japanese woodworking technique known as kumikozaiku, which involves hand scraping, cutting, and bending wood. This technique dates back to the Asuka Period and is associated with warding off evil spirits. Kawashima Tategu is currently celebrating its 89th year in business.

Ochanomizu: Ochanomizu: Ochanomizu

If you're looking for a unique gift for the home, you can visit a traditional craft shop or visit a specialized online store to find handmade crafts. Many of Japan's craft shops feature items that have become incredibly popular. Some are known worldwide, such as the famous Kiya Shop in Tokyo. These shops feature goods that have been made in traditional ways, but have been updated to reflect modern lifestyles.

The Future of Craft Aesthetics explores the overlap between crafts and contemporary art in Japan. The show includes works by 20 Japanese artists who are showcasing kogei craft techniques in two ancient temples and shrines. Crafts and Design also features works by 13 international creative directors who have teamed up with traditional craftsmen. The two exhibits will be part of a two-part exhibition.

Crafts in Japan have evolved over centuries, with traditional rural crafts rooted in solutions devised in the country since the dawn of civilization. As with many traditional crafts, the Japanese were quick to copy and improve upon their influences, and they crafted products that were exported to China as early as the 13th century. In addition, the Japanese also learned silk making from the Chinese, which they later exported to Brussels, Belgium.

Yanagi's influence on Japanese sculptors

Yanagi's works reference the scale of the dung beetle, which is more than 250 times heavier than the beetle itself. Yanagi's work comments on issues of political imprisonment, human rights, and the natural passage of time. One of his most famous works, Broken Glass on Map, features shards of glass found at the site, pieced together, and accompanied by a U.S. map.

The Butterfly stool is one example of twentieth-century furniture designed by Sori Yanagi, which demonstrates his inheritance from the Mingei movement. This stool combines the western form of a stool with the beauty of Japanese calligraphy and architecture. Yanagi also designed stainless steel cooking utensils. His designs confirmed the ability of traditional Japanese values to be updated in a contemporary manner, leading to his appointment as head of the Japan Folk Crafts Museum in 1977.

In addition to his work, Yanagi was also a devoted book lover. He published a journal called Kogei from 1931 to 1951. The journal's covers were handcrafted fabrics and later covered in lacquered paper. The journal included detailed information on his collections, allowing his friends to produce special editions. Yanagi also modeled the design of his museum's interior after a traditional Chinese style.

Noguchi's collection of Akari lamps

Isamu Noguchi designed his Light Sculpture series in 1951, which includes the Akari lamp series. There are two main styles: the first, or 1P, is a table lamp and the second, or 2P, can sit on a dresser or table. Both styles have Washi paper lampshades, a traditional Japanese paper that's considered very durable. While both styles are popular, it's important to note that not all pieces are currently in production.

Isamu Noguchi's collection of Akari lamp series originated in the 1950s, when he visited a Japanese fishing village in Gifu. While there, he was impressed by the lanterns used by fishermen on the river. Many of these lanterns were made of bamboo, which Noguchi sourced from the local community. The design of Noguchi's lamp series was inspired by the lanterns. The Japanese name for the series is Akari, which means light in Japanese.

The Akari collection of lamps includes a spherical pendant lamp, table lamps, floor lamps, and ceiling lights. All of them use the same material, fine shoji paper, a white, robust paper that muffles light and spreads it evenly. The name Akari refers to the way these lamps radiate light - it is not just about the beauty of the lamps, but also their ability to spread calm and magical light.

Frank Lloyd Wright's woodblock print

The resulting design of Frank Lloyd Wright's woodblock print for a crafts home and lifestyle in Japan is reminiscent of the American architect's early Japanese encounters. The architect first encountered Japanese architecture during the 1893 World's Columbian Exposition in Chicago, where he saw the Ho-o-den (The Phoneix Hall), a reconstruction of an 11th-century Buddhist temple. By the end of the decade, he had been forced to seek refuge in Japan after the murder of his mistress, and moved there permanently.

During his time in Japan, Wright and his Japanese colleagues met a number of young men, including a naturalised American, Antonin Raymond, and two of his apprentices, Noemi Pernessin Raymond and Takehiko Okami. The four men were influenced by Wright's style of organic architecture and were soon drafting the plans for the Imperial Hotel and other Japanese homes. These young men, who remained in Japan for the duration of the Wright's visit, eventually became the most influential figures in the Japanese modernist movement.

Wright cultivated several relationships with the artists he admired, and the prints he bought were also an extension of his personal spirituality. The prints served as a financial panacea for the architect, who often turned to them to make ends meet. Wright would crank up his sales pitches to collectors and use them as barter for debts. In this way, the prints saved him from ruin.



Katie Edmunds

Sales Manager at TRIP. With a background in sales and marketing in the FMCG sector. A graduate from Geography from the University of Manchester with an ongoing interest in sustainable business practices.

📧Email | 📘 LinkedIn