The Wiley Blackwell Companion to British and Irish Contemporary Literature
The Wiley Blackwell Companion to Contemporary British & Irish Literature is a comprehensive resource that explores contemporary works in English and Irish languages. From Shakespeare to the Fenian cycle of romance, this anthology provides readers with a broad perspective on modern British and Irish literature. In-depth analysis of a wide variety of contemporary works makes this an essential resource for students and writers alike. Here are some of the main highlights:
Creating Shakespeare in British and Irish contemporary literature looks at the creation of the Bard's plays and explores how the works were created. In this book, international critics explore the roles of Shakespeare's sonnets, comedies, tragedies, and plays in contemporary Irish literature. The book shows how Shakespeare's writing continues to exert pressure on Irish literature and is linked to the Jacobean and Elizabethan colonization of Ireland.
The bibliography includes more than 300 items, including significant essays, notes, and articles. Material is arranged by constituent nations. For a deeper understanding of the works, readers should be familiar with the history and culture of the country in which the play was set. By comparing the works of Shakespeare with those of other authors, contemporary readers can get a better understanding of the author's creative process. Creating Shakespeare in British & Irish contemporary literature, edited by Stanley van der Ziel, is an essential resource for students of modern Irish literature.
Creating Shakespeare in British & Irish contemporary literary history is not a new project. Recent Shakespeare scholarship has addressed the question of the place and identity of Britain, a longstanding tradition that flourished in the 1920s and 1930s. This bibliography is intended to serve as an introduction to the various approaches to Shakespeare studies in the last century. And while the bibliography may be incomplete, it provides a useful starting point for any scholar looking for an overview of the work of Shakespeare.
Fenian cycle of romance
In the early nineteenth century, the Fenian cycle of romance was a major topic of Irish fiction. Later, the cycle was re-introduced by Scottish authors, such as S. H. O'Grady, who published the two-volume Silva Gadelica in London in 1892. Other works by Irish authors included Old Celtic Romances by P. W. Joyce and R. Thurneysen, published in Berlin and London, respectively.
The Leinster-Munster Fenian cycle was transformed into a national saga. Several scholars have noted that the Firbolg tribe may have inspired the characters, such as Finn and Cuchulinn. In many tales, Finn is transformed into Ulster heroes, and his exploits in the Thin recall those of Cuchulinn during his youth. Interestingly, the idea of Ossian and Cailte as a link between Patrick and Ossian was probably influenced by a saga in the early thirteenth century.
The early medieval period also gave rise to a number of Irish poets. A number of works attributed to this period were written by Irish poets, such as Maelmura, who wrote a poem about the Milesian migrations. The manuscripts of this cycle have been preserved in the English language, thereby allowing readers to reread them with ease. The Fenian cycle of romance is also known as the Irish-Malachy cycle.
The novels of Flann O'Brien are characterized by bizarre humour and Modernist metafiction. His style of writing is characterized by borrowed characters, stolen legends, and superficial plots. In "The Third Policeman," an Irish country youth sees hell. Another novel, "The Unexpected," draws on elements of detective fiction, science fiction, and mediaeval Irish literature.
A study of Flann O'Brien's work offers an illuminating look at his relationship with modernism. Flann O'Brien, British & Irish contemporary literature, is a timely reminder of the many dichotomies in contemporary literature. His work, while distinctly Irish, is often misunderstood as postmodern or "postmodern." His work, while influenced by late modernist tendencies, is also globally relevant.
O'Brien's "misterpiece" was published 47 years after Joyce's Dubliners, but despite its late publication date, the novel remains a classic. O'Brien mastered Joycean style, but some critics have labelled the novel as a blatant homage to Joyce. However, Asbee (1991) finds such comparisons insulting.
The Third Policeman, published in 1940, was rejected by publishers. He claimed that a trunk containing his manuscript blew over in Donegal. Flann reappropriated these characters in "The Dalkey Archive," which features a mad scientist bent on destroying the world and James Joyce disguised as a retiring pub landlord. Although a blip in the novel's timeline, the story's eerie rightness won over the rejection.
Violet Somerville, an author of British & Irish contemporary literature, died in 1916 from a brain tumor, and her sister Edith began writing An Irish Cousin in August 1915. Although the war was long over, Violet's death had a profound effect on Somerville. She had been in London at the time of the 1916 Easter Rising, and she took out a letter in The Times blaming the British government for the state of Ireland. Her ensuing grief led to her embracing Irish Nationalism and becoming an accomplished musician at parties. She was known for singing Irish tunes and Nationalist songs.
The Somerville family came to Ireland in the 1690s and lived at Drishane, a damp house which was occupied by eight generations of the family. Violet Martin was Somerville's childhood friend, and the two remained close for years. She was four years older than Violet Martin, and was educated by governesses while living on Corfu. She also briefly attended Alexandra College in Dublin and later studied art in Paris.
Their collaboration was particularly prolific: The two authors produced sixteen novels together, and they both exhibited a similar style of writing and a similar aesthetic. They were married in 1891 and published a combined total of sixteen volumes under their pseudonyms. Ross continued to collaborate with Somerville after her husband's death. Both Somerville and Ross continued to produce short stories and novels, and a bestselling Irish short story collection, The Real Charlotte (1894).
C. S. Lewis
C. S. Lewis was born on August 14, 1907 in Belfast, Northern Ireland. He attended a private school until the age of nine, when his mother died of cancer. His father sent him to an English boarding school, Wynyard School, but Lewis was not happy there. He later left the school and went to Campbell College in east Belfast. There he learned classics and went on to study at Oxford.
In 1916, Lewis won a scholarship to Oxford University. However, as World War I raged, Lewis joined the army, serving as an officer in the third Battalion of the Somerset Light Infantry. On his eighteenth birthday, Lewis arrived at the front line in the Somme Valley, France. During this period, Lewis became an outspoken critic of the British government, and his novels have been translated into numerous languages.
During the period of Home Rule for Ireland, the Protestant community in Belfast feared that it would undermine their privilege and lead to civil unrest. Consequently, they avoided contact with their Catholic neighbours. As a result, C. S. Lewis's older brother did not even speak to a Catholic in his own social background. However, the hostility toward Catholicism was ingrained in Lewis's mother's milk.
Mairtin O Cadhain
Born in 1906, Mairtin O Cadhain's work focuses on the lives of the Irish seaside communities. He was born near Spiddle in Co. Galway, and his ancestors came to the area as landless laborers a century ago. These early Irish settlers used stones and seaweed to create fertile land. He was influenced by oral tradition. His father was a seanchai, and his stories reflect the Gaeltacht tradition in Connemara.
Although O Cadhain did not receive a doctorate from Oxford, he stayed in the Gaeltacht, teaching English in the local school. After finishing his teacher training, he was commissioned by Irish publisher An Gum to translate his novel Sally Kavanagh. His short stories began to appear, including The Road to Bright City, a book of short stories set in rural Ireland. The Road to Bright City is one of the few works of O Cadhain's that is translated into English. O Cadhain's frank, incisive and sometimes harsh observations on women have made his work one of the best sellers in contemporary Irish and British literature.
O Cadhain's life story is a fascinating one. He was a republican interned in the British-occupied country in the 1930s. He was imprisoned with three other republican prisoners, one of whom was pro-German, and the third was pro-British. O Cadhain had a rich oral tradition in west Galway and developed his mature style during his time in captivity.