Biographies of Artists Architects Photographers
Biographies of Artists Architects Photographyers provide insight into the careers of these creatives. They cover topics as varied as Bourke-White's early art photography, Lynette Jackson's passion for architecture, and Julius Shulman's career as an architect.
Bourke-White's early art photography
The early art photography of Margaret Bourke-White is often described as haunting and emotional. Many of her photos depict the lives of prisoners, including those who committed suicide in concentration camps during World War II. In her famous "Buchenwald" series, she captured the moments before and after prisoners were liberated from the camp.
Bourke-White's career was marked by many firsts. She was the first foreign photographer to photograph Soviet industry and was the first female staff photographer for LIFE magazine. She was also the first woman to work in combat zones during World War II. She died in 1971 of Parkinson's disease.
Bourke-White's interest in industrial objects was a result of her father's job as an industrial photographer. Her fascination with these forms was also influenced by the Precisionism group. Her work was influenced by the work of painters in the same movement and by the aesthetics of their work. The symmetry and implicit geometry of machine forms attracted Bourke-White. Her photographs were among the best-known of her time.
In the 1930s, Bourke-White began creating photo-essays in the Soviet Union, Germany, and the American Midwest. These photo-essays developed her dramatic style and helped her gain a more humanistic view of social issues. She also married a playwright, Erskine Caldwell, in 1939.
Bourke-White's life and early art photography were marked by hardship. She had a difficult time paying school fees and had to borrow money from the Mungers charity to continue her education. She was able to transfer to the University of Michigan, where she studied herpetology. She was also known to keep a pet snake in her dorm. However, despite the difficulties, Bourke-White continued to pursue her passion for photography. She worked as a photographer for the school yearbook.
After graduating from college, Bourke-White began working in industry, gaining recognition and acclaim. Henry Luce, the publisher of Fortune magazine, invited Bourke-White to work as his first staff photographer. In 1930, Bourke-White established his own studio in the Chrysler Building and began to focus on industrial and architectural photography. By the following year, she had a successful career as an industrial and architectural photographer. She also went on to set up her own photographic studio.
Lynette Jackson's passion for architecture
Lynette Jackson's passion for architecture has inspired her to take up photography. She uses a combination of software that allows her to manipulate raw images in a highly creative manner. Her images are a combination of building structures and colors, creating a free-form canvas of architecture and design. Despite the complexity of her images, she focuses on careful composition and leading the eye with careful use of colour and pattern. Her work can be viewed online through the links below.
Lynette Jackson's photography captures the built environment with her iphone, making it an excellent tool for documenting the built environment. She uses graphic tools and pop-art imagery to expose architectural details, as well as using the camera to create beautiful images. She has an eye for detail and a love for the architecture of her surroundings, which is evident in her stunning images.
Her work is inspired by contemporary architecture and graphic design. Often created on an iPhone, Jackson transforms architecture photographs into works of modern art. The images are made up of layers of monochromatic colors and geometric patterns. Typically, Jackson creates two or four collages of architectural photographs. Jackson focuses on highlighting specific design features and materiality.
Her work has gained international recognition. She was chosen as a Mobile Master 2014 by Dan Marcolina, and her work appears in the eBook "Mobile Masters2." She also contributed iPhoneography tutorials to the book "Art of iPhoneography" by Bob Weil and Nicki Fitz-Gerald. Her images have also been used as set backdrops on Bravo's Property Envy. In addition, Archdaily named Jackson one of the top 25 Instagram feeds.
Julius Shulman's career
American architectural photographer Julius Shulman is best known for his photographs of the Stahl House and Case Study House #22, both Los Angeles buildings designed by Pierre Koenig. These photographs helped spread the aesthetic of California's Mid-century modern architecture around the world.
The renowned photographer began his career in the late 1940s and continued until his death in the 1990s. He exhibited in major museum exhibitions worldwide and published numerous books. His work has recently received renewed appreciation, partly due to a new appreciation for postwar architecture. In 2005, the Getty Research Institute acquired his archive, which includes over two million prints and negatives.
Julius Shulman was born in Connecticut and moved to California at a young age. He studied architecture at Berkeley and UCLA but never formally registered. Nevertheless, he often audited classes he found interesting. Neutra's Kun Residence was one of Shulman's first projects, and he was soon enlisted to document other projects. Later, he teamed up with other modernist architects, including Frank Lloyd Wright.
Julius Shulman had a strong sense of style and an intuitive eye for photography. His photographs captured the essence of architecture. His photographs were detailed and high quality, and he took time to make each shot unique. He also adapted his photographic style to the interests of his audience. In addition to photographing people, he also photographed buildings and landscapes.
Shulman's photographs showcase the architectural beauty of Los Angeles. Many of his photographs are classics of modernist architecture. They were part of an effort to popularize California living by making modern houses appear idyllic. His images were praised by the likes of Richard Neutra, who was a patron of Shulman's work.
He died on July 15, 2009, at the age of 98. His archive comprises more than seventy-five thousand photographs. The collection is currently housed in the J. Paul Getty Museum in Los Angeles. He continued to work until his death.
Sheeler's career as an architect
During the first half of the twentieth century, Sheeler became one of the most influential American artists. Using both photography and painting, he captured the function and abstraction of the American industrial age. His work is now viewed as a classic of modern art. His work can be seen throughout the United States.
Sheeler first took up photography in his late twenties. He did so to supplement his income while painting. Around 1920, he began to experiment with the medium. His photographs were mainly of standard subjects that were sought by real estate agents, architects, and magazines.
Sheeler's photography is widely regarded as a classic. His images were so influential that he was hailed as a key figure in American Modernism. His works have been exhibited throughout the world. This exhibition is an opportunity to view Sheeler's work in one place. While his photography was considered among the greatest of all time, his artistic talents extended far beyond it. He was an innovative artist ahead of his time and one of the most influential photographers of his generation.
After the death of a close friend in 1919, Sheeler moved to New York. He collaborated with the photographer Paul Strand on the 1920 short film "Manhatta," which featured a montage of skyscrapers and intercut with Walt Whitman's poem "The Bridge to Brooklyn." After the premiere of Manhatta, Sheeler began to focus on buildings in New York City, often creating sketches of these buildings.
The exhibition covers major themes in Sheeler's career. It provides an opportunity to view his works in different mediums and to compare them to each other. Although some of his photographs may seem identical, close examination reveals subtle differences in the composition and presentation. This helps in identifying the underlying patterns of Sheeler's works.
The artist studied art in Philadelphia and became famous for his detailed renderings of city and industrial scenes. He later studied with William Merritt Chase at the Pennsylvania Academy of Fine Arts. During this time, he traveled to Europe with his friend Morton Schamberg. These trips helped Sheeler's career grow significantly. During this time, he also developed his photographic skills, which he used for his architectural work.