Best Arts & Photography Architecture in 2022


Architecture and Photography Workshops

This workshop explores the intersection of art and architecture. It examines the relationship between commercial and fine art. The participants produce a professional portfolio of digital or print-based work. This workshop is centered on two practical issues: how architecture and art respond to the body and how we interpret physical reactions to it. Students also learn to add ephemeral objects to space to redefine it. Afterwards, they will develop their own photographic work, which they may then showcase to prospective clients.

Art vs. photography

It is possible to call a photograph of an architectural creation fine art or even original. But it is wrong to call it the same. While the photographer's intention is not to copy the original creation, the photo is not a work of art per se. It is a derivative of the original creation, not a work of art in itself. If the photographer uses the photograph as an original, it is a work of art.

Photographs of architecture are the most common forms of art in modern culture, but the photographer owns them. If the architect intends to use a photograph, he or she can negotiate with the photographer. This is because Bauhaus issues taught photographers about copyright. However, most photographs of architecture are not original. As a result, the photographer may be able to resell the photograph to the architect for a fee.

Fine art photographers don't pay as much attention to the time of day. In addition to avoiding strong midday sunlight, abstract architecture photographers should avoid shooting in the blazing midday sun, which can create contrasty shadows. Fine art photographers also make allowances for small imperfections in the shot, but still aim to get good material. The golden rule is still the same: avoid overexposing or underexposing areas.

In this essay, I discuss the relationship between architectural photography and art. I'll compare three moments in the history of architecture photography and art. Both forms of art have similarities and differences, so let's start by defining them. Art is important, but photography is more universal. Photography has become a valuable medium in the past century, and it can enhance the quality of any art. You can even use it as a way to make your work stand out from the crowd.

Fine-art vs. commercial

Commercial and fine-art photography are two different styles, each with its own advantages and disadvantages. In a commercial photo, the subject is typically a brand or product, while fine-art photography is more focused on the photographer's feelings about the subject. Choosing which one you want to focus on can help you decide whether the style is right for you. Here are some things to consider before making the final decision.

Commercial and fine-art photography have varying degrees of artistic freedom and rigor. In fine-art photography, artistic treatment and creative filters provide a context for a story. While commercial art covers advertising, branding, logos, and graphic design, fine-art photography starts with the artist's vision. Fine-art photographers focus on the artist's vision and are not necessarily following the requirements of the employer.

In fine-art photography, the photographer's intent is to create art, rather than create a product for a specific purpose. Although fine-art photography is often used for commercial purposes, great photos may also be created purely for aesthetic reasons. The viewer's interest in a fine-art photograph is the artist's primary client. Fine-art photographers sell their photos as artworks, while commercial photographers are primarily interested in selling them.

Commercial photography is different from fine-art photography because the photographer uses the same medium for two completely different purposes. Fine-art photography, for example, is focused on using photography as a medium to convey an artistic idea. Artists who use fine-art photography often create images that are more conceptual and express their artistic vision. And because fine-art photographers use a different approach, their work is more unique than commercial photos.

Bechers' anonymous photography of anonymous architecture

The photographs of Bechers' anonymous architecture show no people. They are composed of large-scale photographs taken from a frontal perspective against a grey sky. Bechers arranged the buildings in sets and typologies to fill the frame. The repetitive composition emphasizes their similarities and differences. The photographer's method and technique are reminiscent of the New Sachlichkeit photographers of the 1920s. However, Bechers' use of white backgrounds and the absence of people in the photographs are highly atypical.

In the late 1950s, Bernd and Hilla Becher began photographing industrial buildings in Germany. The two photographed the same structures at the same angle against a gray sky to minimize shadows. In order to preserve the original architecture, they also cropped their images to fill the frame. They photographed buildings as diverse as water towers, framework houses, mine shafts, and factories. Their photos also show the subtle differences among local builders.

In addition to documenting the structures, Bechers also documented the light and framing conditions, creating typologies of images. These images resemble each other, but when inspected closely, the viewer can discern subtle differences between them. By documenting the landscape, these photographs act as a faithful witness to the changing landscape. In addition to documenting the changes and transformation of a landscape, they serve as an archive of mostly anonymous structures and architecture. In addition to this, they preserve their existence in collective memory.

The Bechers' work was initially exhibited in 1970 at the Sonnabend Gallery, where they won the prize for sculpture in 1990. During this time, Bechers explored the overlooked beauty of architecture, the relationship between form and function, and the impact of industrial processes on the environment and economy. In the 1970s, Bechers published his most famous body of work, titled Anonymous Sculptures. The series featured industrial buildings and industrial structures, while he drew inspiration from Marcel Duchamp's readymades.

Shulman's media-friendly icons

Shulman's images have been credited with influencing contemporary design and architecture, and his work is renowned for capturing the spirit of modernist environments. His photographs evoke a fusion of architecture and photography, transforming them into media-friendly icons. His iconic images are powerful, and his work has served as an influential reference point for designers, architects, and consumers alike.

In addition to being an accomplished photographer, Shulman was also a socialite. He often blurred the lines between personal friendships and professional conduct. His extensive book catalogues demonstrate his keen eye for the media. However, Shulman never realized the enduring value of his work, and his death in 2009 came as a shock. While he was a keen advocate for art and photography, he never realised how his work had impacted the world.

Despite his reputation as an artist, Shulman also had an incredible talent for photographing the everyday landscape. His photographs of the Edward Kaufman House in California, designed by Richard Neutra, are among the best-known examples of modern architecture. These photographs are notable because Shulman incorporated people into his images, transforming buildings into living spaces. By adding stories to his photographs, he helped make them accessible to a wider audience.

Among Shulman's many works, he took up architectural photography during the 1930s. At a time when modernist architecture valued color, texture, and space as primary considerations, photographers were under pressure to promote these aspects of architecture. This ethos was unorthodox at the time, and Shulman went against the norm of the empty images of modernist buildings. His aim was to show that modern California architecture was livable.

Hiroshi Sugimoto's high style

If you are looking for a high-style architect and photographer, look no further than Japan's Hiroshi Sugimoto. This architect and photographer leads the Tokyo-based firm New Material Research Laboratory. Sugimoto's work has been featured in magazines and books worldwide. The architect's stunning work has made him a revered figure in the architectural world. His work is an inspiration to architects and artists worldwide, and it is reflected in his photographs.

Sugimoto's photography is rooted in classical photographic traditions, but his interest in architecture rivals his passion for photography. His major series include chamber of horrors, drive-in theaters, and a new research lab for materials. In addition to photography, his work has influenced theater and performance. In addition to creating his own works, he has also co-founded a new material research lab with architect Tomoyuki Sakakida.

Sugimoto has collaborated with many other artists to create his unique art. He has even created a teahouse in Japan. In addition to architecture, he has designed restaurants and teahouses. He believes that simplicity and minimalism promote focus. Sugimoto's latest work is an observatory in Odawara, Japan. It features an observation deck that stretches for 100 meters. It's also home to a Japanese theater.

Sugimoto's work has received a lot of critical praise and recognition. Since his debut solo show in 1981, Sugimoto has established himself as a respected photographer. He uses a large-format wooden camera to take his photographs, and works only in black and white, believing that color photography is artificial. He also mixes chemicals by hand and develops his own film, following the recipe developed by Ansel Adams. In addition to his photography, Sugimoto runs an antique store. He began incorporating antiques into his work and continues to collect them.


Andrea Lopez

International student since the age of fifteen. Varied cultural awareness and broad perspective of the academic world through several experiences abroad: Spain, Ireland, the UK, Guatemala, and Japan. Organised, highly adaptable, impeccable customer service skills and excellent rapport building abilities.

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